The flashdancers of a prestigious dance school are winding up dead thanks to a killer in a leather coat and gloves who uses a lion-headed hat pin and chloroform as his/her weapon. The hard-nosed, tough Candice Norman(Olga Karlatos), embittered by being robbed of her own opportunity of achieving a dance career thanks to a motorcyclist running her over, pushes her students to the very brink. Three dancers have a chance to move on to even greater heights, and this might provide extra motivation towards murder. Candace sees a vision of a model/actor named George Webb(Ray Lovelock)coming at her with the murderous hat pin closed in hand ready to stab her. Candace is driven by the dream to pursue George once she spots a billboard add with his face modeling a product. What she doesn't count on is falling for him. The film shows the setting up of certain girls being murdered(such as two who are attempting to take a shower after practice in the dance school)and Candace's pursuit of the truth. As she digs deeper, George might be the major suspect in the murders.Set amongst the backdrop of New York City flash-dance music scene at the time, the soundtrack and look of the film shows this time of life in the early 80's as women connived and killed themselves in order to make it to the top of the dance scene by any means necessary. I'm sure in Fulci's macabre mind, he saw an opportunity to question..Just how far is one willing to go towards achieving that dream? But, when the killer is indeed exposed even deeper truths come out such as losing that dream before having a true opportunity of achieving it thanks to circumstances out of left field. George is presented as a male model struggling to make it in the treacherous business of modeling and acting. He has ambitions and dreams like the flashdancers, but is hitting the brick wall that often comes when wishing to achieve stardom.Certainly gialli fans(..and, most especially those of Fulci fandom)will probably find this slow and talky. It's also anemic, barely showing any real violence at all due to what the killer uses as his/her weapon. The dialogue and dubbing are nothing to write home about, either. But, technically, Fulci's film is polished. I loved the DVD transfer and felt the cinematography(..and how Fulci uses light such as the bathroom/locker rooms in the dance hall at night as the lights blink on and off in increments stating that the electronic doors will be bolted in a specific time frame telling anyone still in the building they need to get out)and lighting were top-notch. Fulci is quite restrained not filling the screen with bloodshed and gore as he does in his zombie flicks. And, yes, the flash-dance music scene backdrop is indeed cheesy but merely a product of what was happening at the time.
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A violent shocker with high level on vivid imagery and pure cinematic style in which a nasty murderer executing grisly killings by means of a hypodermic needle-wielding psycho-killer . It starts with a series of murders rock a dance academy in New York . As the mysterous and owner directress , Candice (Olga Karlatos) of a prestigious New York ballet school teams up with a suspicious male model (Ray Lovelock) to solve a series of weird murders of a few of the dancers . Along the way , a tough Police Inspector Lt. Borges (Cosimo Cinieri) investigates the bizarre murders . Save the last dance . . . For hell! .Depraved - Demonic - Diabolical - And Beyond! .New York's best dancers are dying for a part in the next Broadway hit.Eerie and creepy thriller with full of killings , sexual violence , red herrings , grisly murders by means of a razor blade executed by a psychopath on the loose , loathsome and lots of blood and gore . A mysoginist whodunit with plenty of nudism , explicit scenes of violence and Giallo style , no for squeamish . Concerning the classic giallo plot in which a series killer with a hidden agenda carrying out a criminal spree . It has flamboyant imagery , graphic gore and moody atmospherics , while mixing disco music from Keith Emerson and dancing images in Flashdance style along with Gialli characteristics. Starring the beautiful Greek actress Olga Karlatos giving a fine and attractive acting . Karlatos surrounded and well supported by an Italian cast of usual Italian B actors , such as : Ray Lovelock , Cosimo Cinieri , Geretta Geretta , Christian Borromeo and Claudio Cassinelli who passed away a bit later on , whilst filming Sergio Martino's 'Fists of Steel' .The motion picture was middlingly directed by Lucio Fulci , and being entertaining enough. And financed in tight budget by Augusto Caminito , Fulci's regular producer and occassionally director . Fulci was one of the most controversial filmmakers in terror genre , though frequently derided as sheer sensationalism and commerciality. Here Lucio Fulci directs in his usual style filled with flaws , failures and gaps , but professionally made because being a nice artisan . Critics are divided over both the moral and talents of Fulci (1927-1996), who sometimes directed under the alias Louis Fuller. For some reviewers many of his flicks are extremely cruel and savage , yet their gory surface often concealing social, religious , or provoking commentaries or other thoughful , intelligent issues . Nevertheless , most of them considering his works have undeniably provided a considerable influence on the terror genre , creating decent efforts on low budget flicks . Standing out his Don't Torture a Duckling deemed to be one of his best pictures . And in the adventure genre with two financially successful Jack London 'White Fang' adventure movies in 1973 and 1974 which were Zanna Bianca, and Il ritorno di Zanna Bianca. Also during the mid and late 1970s, Fulci directed two 'Spaghetti Westerns' : Four of Apocalypse (1975) and Sella d'argento or Silver Saddle(1978), and another 'giallo' ; The Psychic (1977), as well as a few sex-comedies which include the political spoof : The Eroticist(1972) , and the vampire comedy Young Dracula (1975) , and the violent Mafia crime-drama Luca the smuggler (1979) . In 1979, Fulci's film making career successfully another high point with him, breaking into the international market with Zombi 2 (1979), an in-name-only sequel to George A. Romero's Zombi: Night of the Lving Dead (1978), which had been released in Italy as 'Zombi'. And hiis big hit New York Ripper , at the time rated as a video nasty , due to it and why the excessive extra violence was heavily cut or prohibited in a large number of countries . With this film established Fulci as a gore director par excellence . Over the next three years, Fulci plied his trade with finesse and flair-play , rivaling even the popularity of his "opponent" the great Dario Argento, with such sanguine classics as City of the Living Dead (1980) and Beyond (1981). These films, as well as the reviled "New York Ripper" (1982) are actually intelligently crafted, with sound commentaries on everything from American life to religion. And he went on his fall with lousy movies, but eventually Fulci at least found work in television . Rating : 5/10 . Average , only for Lucio Fulci completists . 2ff7e9595c
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