Cam releases were the early attempts at movie piracy which were implemented by recording the on-screen projection of a movie in a cinema. This enabled groups to pirate movies which were in their theatrical period (not released for personal entertainment). Alternative methods were sought, as these releases often suffered distinctly low quality and required undetected videotaping in movie theaters.
Audio Warez Release Groups Google
Beginning in 1998, feature films began to be released on the internet by warez groups prior to their theatrical release. These pirated versions usually came in the form of VCD or SVCD. A prime example was the release of American Pie.[1] This is notable for three reasons:
The early DivX releases were mostly internal for group use, but once the codec spread, it became accepted as a standard and quickly became the most widely used format for the scene. With help from associates who either worked for a movie theater, movie production company, or video rental company, groups were supplied with massive amounts of material, and new releases began appearing at a very fast pace. When version 4.0 of DivX was released, the codec went commercial and the need for a free codec, Xvid (then called "XviD", "DivX" backwards), was created. Later, Xvid replaced DivX entirely. Although the DivX codec has evolved from version 4 to 10.6 during this time, it is banned[2] in the warez scene due to its commercial nature.
In February 2012, a consortium of popular piracy groups officially announced x264, the free H.264 codec, as the new standard for releases,[3] replacing the previous format, which was Xvid wrapped in an AVI container. The move to H.264 also obsoletes AVI in favor of MP4 and Matroska that most commonly uses the .mkv file name extension.
What is known as an R5 is a studio produced unmastered telecine put out quickly and cheaply to compete against telecine piracy in Russia. The R5 tag refers to the DVD region 5 which consists of Russia, the Indian subcontinent, most of Africa, North Korea, and Mongolia. R5 releases differ from normal releases in that they are a direct Telecine transfer of the film without any of the image processing. If the DVD does not contain an English-language audio track, the R5 video is synced to a previously released English audio track. Then a LiNE tag is added.[13] This means that the sound often is not as good as DVD-Rips. To account for the lesser audio quality typically present in R5 releases, some release groups take the high quality Russian or Ukrainian 5.1 channel audio track included with the R5 DVD and modify it with audio editing software. They remove the non-English spoken portion of the audio and sync the remaining portion, which contains high quality sound effects and music with a previously recorded source of English vocals usually taken from a LiNE tagged release. The result of this process is an almost retail DVD quality surround sound audio track which is included in the movie release. Releases of this type are normally tagged AC3.5.1.HQ and details about what was done to the audio track as well as the video are present in the release notes accompanying the pirated movie.[14]
A DVD-Rip is a final retail version of a film, typically released before it is available outside its originating region. Often after one group of pirates releases a high-quality DVD-Rip, the "race" to release that film will stop. The release is an AVI file and uses the XviD codec (some in DivX) for video, and commonly mp3 or AC3 for audio. Because of their high quality, DVD-Rips generally replace any earlier copies that may already have been circulating. Widescreen DVDs used to be indicated as WS.DVDRip. DVDMux differs from DVDRips as they tend to use the x264 codec for video, AAC or AC3 codec for audio and multiplex it on a .mp4/.mkv file.
The quality of this release is lower than a WEB as it is screen recorded, and it is a less preferred option due to the subtitles being baked into the video and cannot be removed, hence the HC tag. P2P groups have released blurred copies, which have the subtitles blurred or blocked.
WEB-DL (P2P) refers to a file losslessly ripped from a streaming service, such as Netflix, Amazon Video, Hulu, Crunchyroll, Discovery GO, BBC iPlayer, etc., or downloaded via an online distribution website such as iTunes. The quality is relatively good since they are not re-encoded ("untouched" releases). The video (H.264 or H.265) and audio (AC3/AAC) streams are usually extracted from iTunes or Amazon Video and remuxed into a MKV container without sacrificing quality. An advantage with these releases is that, like BD/DVDRips, they usually have no onscreen network logos unlike TV rips. A disadvantage is that if there are normally subtitles for scenes in other languages, they often aren't found in these releases. Some releases are still mislabeled as WEBRip.
The SoundScape Renderer (SSR) is a tool for real-time spatial audio reproduction providing a variety of rendering algorithms, e.g. Wave Field Synthesis, Higher-Order Ambisonics and binaural techniques. The SSR is currently available for GNU/Linux and Mac OS X and has been released as open source software under the GNU General Public License (GPL). It is developed at Quality and Usability Lab/TU Berlin ( -berlin.de/) and at Institut für Nachrichtentechnik/Universität Rostock ( -rostock.de/).
Elsewhere in the guide, you will find a separate group of custom formats called Audio Channels. These will match the number of audio channels in a release, for example 2.0 (stereo) or 5.1/7.1 (surround sound). Personally I wouldn't add the audio channels Custom Formats as you could limit yourself in the amount of releases you're able to get. Only use them if you have a specific need for them.
Tone Transfer is just the beginning. In making the leap from pure research to an approachable AI Experiment, we uncovered learnings on how people perceive music, machine learning, and their own practice, as well as designing flows that enable instruments from musical cultures beyond Western traditions to interact with the technology. On the technical side, Tone Transfer runs on an early version of DDSP in tensorflow.js, a fully in-browser deployment of DDSP that will become part of magenta.js. To extract pitch from audio, we use another model developed by Google Research, SPICE. We are excited with upcoming releases enabling you to easily train your own DDSP models and deploy them everywhere: a phone, an audio plugin or a website using the larger tensorflow lite and tensorflow.js ecosystem.
Edit Groups - Some qualities are grouped together to reduce the size of the list as well grouping like releases. Prime example of this is WebDL and WebRip as these are very similar and typically have similar bitrates. When editing the groups you can change the preference within each of the groups. 2ff7e9595c
Comments